>now about how< is an album that fuses diverse styles, tipping its cap to a world of sounds absorbed over the course of a lifetime. it is the sound of fudges childhood spent learning from his record loving family about the many wonders of 20th century recorded music, filtered through the classic house and techno template which was the soundtrack to his formative years. fudge fingas is a man very much immersed in his music. as well as producing he manages edinburghs best dance music record shop >underground solu shn< whilst also lending his musicianship to tracks by other artists on prime numbers such as linkwood & trus me.

2003 double vinyl lp by french techno pioneer scan x.

over the last couple of years, christopher rau has built a reputation as the finest ear canal masseuse in the contemporary house music scene, catching the attention of fellow hamburger dj koze who has recruited him for this new three-track ep. raus debut full-length asper clouds, released in the fall, was noted for straddling the line between >club< and >headphone< music, earning 4 out of 5 stars from resident advisor along the way, and now, with the how are you ep, he follows up to further explore his sonic approach: an assault of subtlety. >pervading animal< is built upon a solid foundation of familiar rhythm box elements, but like vines and moss, the sedating sounds of strings and keys envelop the empty spaces, showing christopher raus ability to combine the artificial and the organic into something transcendent. then, on the flip side, he lets his weirdness factor shine. at first, >c f r< sounds like by-the-numbers muppet new age, but graduates with distinction as the meowing synth squiggles saunter over the basketball beat. the ep denouements with >how are you today<, marked by a toasty chord progression thats playfully trying to compose itself as the track moves forward, turning science fiction into science fact. you want to believe

debut release for stareaway, a new project of german >inventor of pop ambient< markus guentner with singer heiko badje, the man behind saudade-driven pop band la grande illusion. following several releases and highly successful and critically acclaimed albums guentner solely released since 2001 for kompakt and ware, guentner and badje contributed their first co-operation >baghira< on kompakts pop ambient 2006 compilation. markus guentners track >regensburg<, considered to be one of the best tracks kompakt ever released, was selected by sven väth to finish his mix of the second season and remixed by wolfgang voigt. for the start of the new hamburg based label couldnt care more they release two melancholic pop ambient tracks, the title track additionally remixed by osunlade, the acclaimed producer, dj and label owner of yoruba records. the both aerial and profound ambient soundscape of >learn how to love me< is waiting patiently, increasing softly while heiko badjes voice shivers with emotions of entreaty and wanting. it is followed by the sublime deepness of >unwise< in which badjes lyrics about love and temptation appear into a vision of pop as atmospheric intensity and disappear into somewhere else. on the b-side the yoruba soul suite reworks the original totally. osunlade is looking for a different kind of deepness, transforming ambient into an epic, floating journey of house music full of light and groove

here is the next höhenregler from basti, a nice re-edit from nancy sinatras >how does that grab you darlin< - lets rock! attention: all rights officially cleared and licensed!

ltd repress, black vinyl

limited edition white vinyl, cover with golden artwork, including poster.

cult swedish producer and multi-instrumentalist tiger stripes arrives on audiomatique with this incredible new three track ep. a monstrous lesson in modern minimalism, ah-64 pumps with a dark yet funky inner power thats felt even stronger after the sinister string laden break. slow building and totally infectious this trippy late-nighter is built for the big rooms and will have you reaching for the lasers in no time. on a slightly lighter tip, how we feel warms us with funky, energetic percussion in a modern and positive tech-house jam. with smooth future house keys and plenty of details its a straight forward floor burner. back to detroit city takes us right there, deep, dubbed and melodic this retrospective workout features delicate melodies laden above yet more warm, powerful and driving beats. continuing, elongating and drifting, its a perfect conclusion to the ep.

on the turn to the second decade of dial records roman flügel makes a wish come true and feeds the family with a 12inch of essential works, mindblowing and totally unexpected

bergerac is the new record label set up by uk producer and dj red rack’em (aka danny berman) to showcase the more dancefloor end of his music productions. danny is well known for his wonky disco outings as hot coins on tirk and also his deep as hell beatdown house on untracked. his style of production and djing have recently taken a slightly more banging angle due to the influence of larger scale festival gigs such as glastonbury, snowbombing and the big chill. so it seemed like the perfect time to start a label focussing on house and techno for the more discerning dancefloor. the label artwork will feature bespoke illustrations from german artist silke eiselt of all the houses danny has lived in chronologically. how much more fucking house can you get than that? how i program is a raw, heads down, whacked out banger, which straddles the wafer thin divide between house and techno with aplomb. with a massive loud donking bass noise, seedy late night atmosphere and danny shouting about how he programs his shit - this is some freaky deaky peak time business. next up is bonn, a warm crackly rhodes driven halcyon house moment, which evokes the slightly majestic and nostalgic vibe of people dancing alone together in a hot room at the end of the night. cheering sourced directly from bonn in 1982 mixes with naive keywork and distant female chants the first bergerac ep closes with it happens to us all, which could be an ode to prematurely greying men, the onset of senility or occasional farting in public places. its definitely a prime slice of wrong house with some seriously french hi hats and dubbed out bassline action though. yes, its more syncopated than an exploding castanet factory but thats how we like that kind of funk

a.a_hidden n.s.i. 12.29min______>... the suppressing force of the hidden inner mood.<_vinyl ltd._additional production by n.s.i._tobias freund and max loderbauer aa.pg 21_____margaret dygas lim.ed of 500 units

great 1985 synth-pop / new wave album by abc. b-stock items, because cover with incision (as you can see on the cover pic - b side)

1997 breakbeats by dj boobie on baltimore based fully blown records.

over its brooding, swelling chord rattles, what sounds like a flock of hihats each pushing every possible combination of rhythm to occupy the high frequencies of your hearing range.

so when elektrax got together with bergens label if? to create a new vinyl release of remixes of the sublime little nobody track >metropolis how?< - as the debut showing for our brand new side-label gynoid - we couldnt think of two better practitioners to suit the moment... along with, of course, another canny remixer in the guise of elektraxs main-man, dj hi-shock.

allow us to introduce creatures of habit. the brainchild of dj/producer brenden wesley, the boston outfit s membership boasts a wild band of guest players, with musical virtuosos and analogue gear whores alike. relentless jam sessions between wesley and close pals chas bronz & robbie roland yielded lustre , their debut offering on the esteemed solardisco label. an aural innuendo anchored by a hypnotic, low-slung bassline, the song deftly trades in warm, flirtatious instrumentation and studio wizardry. through his akult party, brenden s not only honed his chops as a dj, he s befriended a whole host of the new disco cognoscenti. amongst them are brooklyn s own nick chacona, who recently released his debut long player on moodmusic to much acclaim, and dfa darlings runaway, who have been reeled in for remix duties. both artists head straight into house territory with decidedly different results. chacona shoots for the stars with his cosmic take on the original, adding just the right amount of sleaze and putting in one of his finest reworks in recent memory. runaway deepen things out with aplomb, dusting off the rhodes to drive their quirky mix home. connecting the dots between boston and brooklyn discotheques, this ep marks quite the auspicious debut for creatures of habit.

mikael the skull stavöstrand is one of the better known artists in the swedish techno scene. deconstructed sounds, experimental tones and minimal changes are the base of his comprehensive works

hailing from israel but now based in berlin, ofrin fastly gained more and more fame over the last few years, especially in germany. they preset a unique sound of avantgarde pop that easily combines with nostalgia and modernism, fuelled by the beautiful voice of singer ofri brin and her perfect musical match: composer kd. the how come track was featured on their most recent (2008) album titled on shore remain. we are very proud to present a fine pack of electronic music remixes, done by daso, phonique, tigerskin and tundra, and we even added two edits for radio usage

progressive house / deep trance! incl. eniac remix. when hearing >how long is now<, you are immediately taken into a tepid ibiza summernight. on top of that, none the less than infamous eniac is completing the package with a very strong remix. eniac is the mastermind for many big productions like tom novy vs eniac >superstar< or tomkrafts uk number 1 hit >loneliness<. let the melody get deep in your heart and mind!

mehr gaensehaut geht nicht!! big with stephan bodzin, mihalis safras, markus kavka, richie hawtin

contains solo house mixes and a fine dubstep mix by joker!

2003 classic!!

the house crews 1991 classic keep the fire burning gets a rerub from the mighty lennon, click the link below for audio!!

minimal from spain with a pushing swat-squad mix and a more relaxed mix by mike shannon

eklo 011, his first single on the label, after his famous >close to me< from the hooksey series, boris horel bring us here his idea of modern house music, a real trip in his mind with his wellknown skills, fat groovy beats, weirdy voices and some chemical hooks that bring his art to a high level of creativity and originality. a1, >how do i look like< is an attempt to mix my love for both old school and new school house music. looking for this kind of >95 tunnel< sound and feeling , but with a modern twist on the form and a more summerish vibe. the pitched vocals helps to push the track towards a weird sliding sensation ,adding a catch to the almost liquid bassline. a2, seuil remix, is something more darky and stripped down, full of analog grooves, sub and crunchy basses, he turns the track in something more deep and afterhour feeling… b, paranoia pantomime , the long side, great old school feeling >a la carter<, rolling shinning hats, fat grumbling basses lead the track...add to this some weird effects and some sexy catchy voices, here is the horels reciepe to bring u back some old feelings from your ravy times. essential debut ep for this new eklo artist. essential 12inch

brill funky disco house anthem , contains mixes by peter rauhofer (club 69, star 69) and french house guy philippe b !!! // special backstock !!!

deeper tribal infected techhouse mover

nice price deal !!! this is how we do has raw dancefloor power, which is even topped by a killer remix package by martijn ten velden and ramon tapia.

hardtechno banger by dariush gee, michael random, necro dur and bassbottle

1st part of the 2003 label compilation!!

2nd part of the 2003 label compilation!! tracks differ from d&b via electro to breaks!!

house remakes of >how we do it< from lloyf feat. ludacris

feel-good booty vibes on this cheeky white of housed up version of this big us party track. lloyd featuring ludacris waxing lyrical about how they do it in the club, this mix takes it off more in neptunes disco territory, throw your hands up in the air for the old skool

incl ben long, kast & b.cult

includes a kick ass rico tubbs remix!

nice price deal !!! massive house tune for one of best female voices all over the world!!

famose platte! garnica kommt sehr deep daher & sasse sowie schaffhäuser sorgen für den nötigen biss

dj plays - nic fanciulli, joel mull, paolo mojo, mark knight, mark brown, steve mac and spencer parker how pretentious is a peak time monster of a techno track, having been cained now by dubfire, nic fanciulli, joel mull, paolo mojo and then crossing over to mark knight, mark brown, steve mac and spencer parker. vertigo has received equal support and is just as big, there really is no letting up with this ep, great melodies in vertigo and relentless carnage from how pretentious

the osf-team from the crome album is back together with a special edit by chopstick & johnjon.. finest groovin detroit strings influenced techhouse mover! special rerelease

originally from columbus, ohio and now residing in new york city, myungho choi issues four new tracks on a touch of class. on these four dizzying tracks, choi again powers his stampeding funk grooves, ecstatic voices, and somersaulting rhodes melodies with classic soul bass lines. his stoked mix of soul, jazz, and house proves exhilarating in the steaming strutter lovin you today and high velocity disco anthem shakin bricks. less aerodynamic and earthier by comparison, the low slung party funk groove in how long till dawn would sound perfectly at home in a parliament funkadelic set, especially when voices chant shake and havin fun and horns blaze over a steaming stomp. the closer we aint leaving revisits the benson funk style of moment by moment by looping a guitar vocal fragment over a relentless minimal disco pulse. this ep. is without a doubt a true disco house infection and a definite one for the dance floor, which is not to be missed.

respected uk remixer and house producer charles webster rips into one of the most played tracks from dennis ferrers hailed album the world as i see it. how do i let go started out as a soulful r&b tune but charles turned it inside out. on his club mix, charles removes the soulfulness and injects a more electric lounge flavor. his deep mix is just that, a profound pumpy, warped & heady affair. both mixes put a whole new twist on the single and are ripe for the early or late set.

martin accorsi/saeed younan/that kid chris mixes

incl d-nox & beckers remix!! daniele tignino is one of the most prolific italian djs and producers. with more than 20 years of djing and 15 years of producing, he can look back on more than 100 records on respected labels such as hooj choons, azuli, southern fried, groovilicious, oxyd, rise, am:pm plus remixes for the likes of sugababes, who da funk & pete tong. if his real name doesn t ring any bell, then his pseudonyms such as psycho radio, klonhertz or love bite surely will. together with his production mate ottavio leo, he teamed up with vocalist mark kerr (brother of famous simple minds singer jim kerr) to form this promising club trio and to deliver this outstanding, emotional piece of progressive house music

phat slamming dirty house remix, tranformed this well known theme intoi the year 2007

excellent peaktime clubbanger with this huge vocal sample includes 2 remixes by eniac (novy vs eniac)

detroit sytyed tech tracks for your mind

die zwei norweger liefern mit >how not to...< einen amtlichen hit ab. mit stempel & unterschrift selbstredend

dj godfather with vocal samples by tricky on the flip..